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Velvet Buzzsaw (2019)

Critique is so limiting and emotionally draining. I’ve always wanted to do something long-form, beyond opinion. Dip my toe into an exploration of origin and essence. A metamorphosis
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FIVE FEET APART (2019)

Greetings again from the darkness. The all-too-familiar sick/dying teenager genre is frequently associated with Lifetime Channel movies or something of that ilk. What sets this one apart (and
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CLIMAX (2019)

Greetings again from the darkness. A wounded, bleeding, hysterical woman is seen crawling through the snow. She’s not dressed appropriately for the weather, and it’s apparent she’s suffered
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ALICE (2019)

Greetings again from the darkness. So much trust goes into a marriage. We try to choose someone we can imagine growing old with, and also whose morals are
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Life itself (2018)

So, what does that tell us? That the only truly reliable narrator is life itself. But life itself is also a completely unreliable narrator because it is constantly
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