A brutal Wyoming winter sets the stage for Tarantino’s eighth film (he’s going to stop at ten apparently). A visceral violent shocker that pits Tarantino’s penchant for writing
“My landlord thought I was robbing my own apartment. Really? Isn’t your landlord, like, 90 years old?” A brilliant, original horror. That’s what you might say after watching
Quentin Tarantino is back with a new Western sprinkled within a mystery revolving around 8 strangers in a cabin. Here’s my review of “The Hateful Eight”. 0 0
Greetings again from the darkness. When Patricia Highsmith first wrote her novel “The Price of Salt”, she had it published in 1952 under a pseudonym (Claire Morgan). This
Greetings again from the darkness. The movie is inspired by the true story of entrepreneur Joy Mangano (listed here as an Executive Producer) and her 1990 invention of
I’m seriously beginning to wonder why they bother with trailers. Take Bridge Of Spies for example, a film I was expecting to be a tense Cold War thriller.
Starring: Robert Mitchum, Curt Jürgens, David Hedison, Theodore Bikel, Russell Collins, Kurt Kreuger Directed by: Dick Powell Written by: Wendell Mayes Rating: NR Running Time: 1 hr. 38
Greetings again from the darkness. Since there are so few subjects more hilarious than the 2008 financial crisis, let’s get the writer/director of Anchorman and Step Brothers to
Greetings again from the darkness. In what can justifiably be termed a cultural event, director J.J. Abrams brings us Episode VII in a film franchise (developed by George
Greetings again from the darkness. Tis the season for the revival of two extremely successful and popular film franchises, each nearly 40 years old. Both stay true to
Greetings again from the darkness. Dramatic short films are challenged with generating an ultra-quick connection with viewers. German director Patrick Vollrath begins the film by showing a man
Greetings again from the darkness. The film’s title has multiple meanings: “Life” Magazine as the source for the famous photographs we have seen so many times; the crossroads