If you’ve been following my successful (and sometimes unsuccessful) ruminations in the realm of freelance writing for a while now, you may know my overall stance on the
If you’re like me and are tired of haphazardly clichéd sports dramas, especially regarding horses, then I’d reckon you’d be surprised as to how good Euros Lyn’s Dream
Imagine a grounded sci-fi drama in which an inconsolable mother (played by Julie Delpy) who cannot process the passing of her daughter, Zoe (Sophia Ally), decides to go
Acclaimed German filmmaker Christian Petzold reteams with Paula Beer and Franz Rogowski for his latest film, which remythologizes the story of Undine (Beer)—a water nymph who becomes human
Robert Machoian’s The Killing of Two Lovers can be considered as NEON’s answer to Noah Baumbach’s 2019 Oscar-winning Marriage Story, in which a recently separated couple (Clayne Crawford &
*Warning: This piece contains spoilers for Dear Comrades! The movie is not out yet everywhere, so proceed with caution.* Director Andrei Konchalovsky, mostly known for writing the screenplays
2021 has been an interesting year for queer cinema, though there weren’t that many memorable pictures. Only J Blakeson’s I Care a Lot and Harry Macqueen’s Supernova are worth seeking
Let’s face it: films regarding terminal illnesses are usually filled with tedious emotional manipulation. The illness in question is mostly used as a plot device instead of delving
Famed Québec director Philippe Falardeau continues his quasi-American path after releasing Chuck and The Good Lie with My Salinger Year, telling the true story of aspiring writer Joanna
It’s finally here! After numerous delays due to the COVID-19 pandemic, Rose Glass’ Saint Maud hit movie screens on January 29th. Now that it’s on VOD, I finally got
Tiller Russell’s Silk Road tells the true story of how Ross Ulbricht (Nick Robinson) created an online marketplace, akin to Amazon and eBay, that sold illegal drugs and
“Revolting,” “repugnant,” “artistically inept” are words that barely scratch the surface of Louise Linton’s self-congratulatory, meta-referential dark comedy Me You Madness, a film so sick and repulsive that probably
Viggo Mortensen’s directorial debut, Falling, tries incredibly hard to challenge its viewers on conservatism by making Lance Henriksen’s Willis foul-mouthed bigot the central protagonist the movie. He cannot
