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AIFF Conversations with Indie Filmmakers

AIFF Conversations with Indie Filmmakers
2nd in the Series

The Arlington International Film Festival (AIFF) is pleased to announce the 2nd conversation in the series, Conversations with Indie Filmmakers, a collaboration with Arlington Community Media, Inc. (ACMI). Conversations is a bi-monthly series of interviews with Indie Filmmakers, the purpose of this series being to offer insight into the creative world of filmmaking and share the personal journey of a filmmaker in making and producing a film.

These conversations are intended to empower the indie filmmaking community, create platform for sharing experience and knowledge… the insider’s world of the do’s and don’ts of producing a film about scripting, writing, casting, directing, lighting, etc.

The 2nd conversation will be with filmmaker, Alice Bouvrie, film editor, Bernice Schneider moderated by Alison Cupples of High Output Boston.

Alice Bouvrie has over 25 years of film and documentary experience. She earned a Master’s Degree in Film Production from Boston University and a Master’s Degree in Intercultural Relations from Lesley University. In 2005 Bouvrie was selected to participate in the Filmmaker-In-Residence Lab at WGBH for the 2005-06 year.  She is an active member of the Director’s Guild of America, and an active member and former board member of Women in Film & Video/New England. As a graduate of the DGA Producer’s Training Program out of New York, (DGA Trainee) she worked as an Assistant Director on feature films, TV series and specials, commercials and industrials.  Alice began producing documentaries as an independent 1993 and has completed four feature-length, award winning films that have screened at festivals, in theaters, museums and Universities around the country. Her first film co-produced with Teresa Metcalf, Living Under the Cloud: Chernobyl Today exposes the health and environmental effects of the Chernobyl nuclear disaster.  Iditarod…A Far Distant Place follows three mushers racing against time and the elements in the long-distance Iditarod sled dog race in Alaska.  Her award-winning film, Prison Pups explores prison reform through a dog program where inmates raise and train puppies to be service dogs. Thy Will Be Done: A transsexual woman’s journey through family and faith, profiles Sara Herwig, a Male-to-Female transsexual who is a candidate for ordination in the Presbyterian church and is currently being distributed through New Day Films, a distribution cooperative.  A Chance To Dress was recently completed in March 2015, and is currently part of the New Day Films collection. Other films produced include two short works for the educational market, Am I Home Yet?, 5 Au Pairs in Boston, and William Wyman Artist Potter.

Bernice Schneider is an award-winning documentary film editor. She received her Masters of Science in Visual Studies at the Massachusetts Institute of Technology’s Media Lab under the direction of Richard Leacock. Bernice has edited numerous films for PBS’s American Experience, Frontline, Nova Science Unit, American Masters, and Independent Lens. She edited the feature-length independent documentary film, Rebel, about the politics of national memory as viewed through the lens of the secret life of a Latina confederate soldier. Another feature, Angkor’s Children, focuses on a grassroots movement to reinvigorate the arts in post-genocide Cambodia. Angkor’s Children has screened nationally and internationally, including within Cambodia at the Bophana Film Center. She edited Alice Bouvrie’s film A Chance to Dress, winner of the Arlington International Film Festival’s Best Short 2015. She also completed A Perfect Crime: the Leopold and Loeb Story for American Experience in 2016. Most recently, she completed editing Laurel Chiten’s documentary, Just One Drop which premiered in London in 2017. Her films have screened at prestigious museums, both nationally and internationally. Bernice also worked in the field with national correspondent Charlayne Hunter-Gault for PBS’s Newshour in Kenya, South Africa, Haiti and Somalia, where she edited stories on political and cultural change in the developing world. She has received honors and awards for her work including a Wallis Annenberg scholarship for women filmmakers, a CINE Golden Eagle, the Biographical Video Award, and an N.E.A. Regional Fellowship. Bernice also teaches editing at Emerson College.

Alison Cupples began her study of photography in high school and from there went on to Emerson College to develop her skills in Photography and Film. She graduated from Emerson College in 2003 and began to freelance. While freelancing, she broadened her skills in all areas of filmmaking as she was producing, shooting, and assisting in the editing process in addition to liaising with clients and developing projects of her own. Looking for a bit more stability, Alison joined the High Output team as an account executive in 2008 and has invested a lot of time researching lighting and lighting technology. She is thrilled to play a part in many of the productions that come through the area and to have relationships with filmmakers from all parts of our local community. Alison is also involved with the Jamaica Plain Arts Council as a board member which most prominently organizes Jamaica Plain Open Studios among other events and educational efforts that take place in the Jamaica Plain community throughout the year. Alison looks forward to a long career continuing with work in the local arts communities and using art and media as an integral part of social justice and change.

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