We don’t give enough credit to horror anthologies. A damn shame if you ask me. They are well-produced opportunities for new filmmakers to slowly enter a relentless industry
There’s one thing that’s quite noticeable about The Country Club, and what its directors seem to have considered from the very beginning, and it’s serviceable towards a better
Beyond its fairly appropriate and much effective silliness (one of which the film’s very self-aware), Man and Witch carries joy like few films of its nature currently do.
Few films have the ability of making such a strong point about the inherent capacity of humans to be social and kind, and remaining to be wonderful intimate
The first thing you think when credits roll in Julio Maria Martino‘s Country of Hotels is that there’s no need to complicate such a good story. This is a
Rick Pamplin‘s documentary feature Burt Reynolds: The Last Interview is undeniably a cinematic jewel. This is the last time probably must of us will see Burt Reynolds being… well,
We all had a dream when we were young, right? Some of us wanted to be actors, rock stars, doctors, street artists or veterinaries. When someone asked us
If there’s one thing we learned when the worst health-related disaster in modern times hit us in 2020, was to understand the power of that which we can’t
The final 18 minutes of Dutch Marich‘s Horror in the High Desert could easily be the most unsettling piece of footage I’ve seen in the last decade. And I
Steven Spielberg‘s The Fabelmans is a beautiful, emotionally engaging film. But contrary to what people say, I don’t believe it’s a film about film. I don’t think Spielberg
Valérie Donzelli‘s television series Nona and Her Daughters tells the story of what would happen if a 70-something woman got pregnant. From her honest, bewildered reaction, to the
We’ve seen Bea’s story in Wildflower in the past. Film has been a proper medium for adapting “coming of age” stories that range from the hilarious to the seriously
In Discontinued, the human races discovers the world is actually a simulation. We’ve been under the impression of absolute control, but it’s actually a machine that’s been running
In order to appreciate the value of indie cinema, you must first recognize and be able to observe the world you’re positioned in. Many people will say that
