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The Case Against 8 movie review

Movie Rating:

The Case Against 8 Chronicles the Death of Proposition 8 and the Ban on Same Sex Marriage

I remember being very young when my mother took my sister and I aside, telling us something to the effect that a law was going to pass which would allow gay people to have certain rights. Gay people shouldn’t have “special” rights she went on and these gay men and women might try to bring you into their world. My mother then explained that she and her best friend hugged each other and loved each other, but it did not mean that they were gay. If you haven’t already guessed this is an extremely fragmented memory, but one that has always lingered.

It’s funny how perception works. In actuality our conversation centered around the Oregon Citizen’s Alliance (OCA) campaign to ban “special rights” to homosexuals and bisexuals. OCA sought to repeal the governor’s executive order of banning discrimination based on sexual orientation:

All governments in Oregon may not use their monies or properties to promote, encourage or facilitate homosexuality, pedophilia, sadism or masochism. All levels of government, including public education systems, must assist in setting a standard for Oregon’s youth which recognizes that these behaviors are abnormal, wrong, unnatural and perverse and they are to be discouraged and avoided.

It seems understandable for a mother to be upset by the OCA’s claims. With words like “sadism” and “pedophilia,” the conservative Christian political organization knew who to target. Family is everything and to somehow pervert or dismantle it would be the dismantling of civilization itself. Once you create the fear everything else just seems to fall into place.

Sixteen years after the OCA’s ballot measure failed to pass in Oregon, California’s Proposition 8 sought to ban same-sex marriages. As Ben Cotner and Ryan White’s documentary The Case Against 8 details, family was at the core of both legal debates.

One afternoon as Kris Perry and Sandy Stier opened up their mail they saw a letter from the City and County of San Francisco indicating their marriage was no longer valid. Both women had two sons and did not need a technicality to determine if they were a family, but this went beyond technicalities to respect. Perry and Stier become two of four plaintiffs in the case Perry v. Schwarzenegger (yes at one point the star of Conan the Barbarian was the governor of California), which challenged California’s Proposition 8 ban on gay marriage known as the California Marriage Protection Act.

The film, shot over the course of five years, documents the legal and emotional highs and lows of the case—from District Court, the California Supreme Court to the United States Supreme Court where a defining legal move was made with no appeals over the rainbow. A line from The Goonies comes to mind, “this is our time, our time!” The pride of civil rights belonged to my parent’s generation, this belonged to mine. One of the only times I was proud to have a Facebook account was when I and millions of other users changed their profile picture to the human rights logo, a red style signifying love (I chose the Bert and Ernie version).

While the filmmakers do an incredible job implementing personability and legal strategies into the film (anyone can watch this and know what is going on in terms of the legal case), the real stars are the plaintiffs themselves, Kris Perry, Sandy Stier, Paul Katami and Jeff Zarrillo. As the filmmakers follow Kris picking up her son from school and Paul and Jeff arranging Christmas ornaments with their parents, the legal battle goes beyond individual respect to the consideration of family, although altered by a couple of chromosomes, family just the same.

Ted Olson and David Boies, the two attorney’s representing the plaintiffs, knew that the personal approach would be at the heart of the case and in an unconventional move had both couples testify before the Court. Oslon and Boies, who were at opposing positions in Bush v. Gore, add a certain legal whimsy to the film. Olson is a conservative appellate attorney while Boies a liberal trail lawyer, their methodologies are different which add a complexity to their legal argument. As Olson affirms, marriage is a conservative value, wouldn’t we rather children be raised in homes with married couples?

While rehearsing his argument in front of colleagues, Olson defines marriage. “The word means something, its as if the word citizenship were in play here and the individuals were given the right to vote, and the right to travel, but not the right to call themselves citizens.”

Legal preparation also means coaching the plaintiffs for cross-examination and this is when Perry essentially brings it home. When Olson asks Perry if anyone has given her an explanation that made sense to her about why she can’t get married? She replies with, “no they haven’t, it’s just that’s its too upsetting, disruptive to other people, I don’t think its ever really been about me.”

When the filmmakers touch on the proponent view, its presented in a “God hates fags” manner. It should be noted that when California initially passed a law granting same-sex couples the right to marry, it was believed that churches would be forced to perform same sex-marriages—perpetuating the idea that religious liberties were going to be taken away. The court performs civil unions, churches religious ones, which means the argument has no merit (a little thing we like to call the diversion between church and state), but it was a powerful interpretation nonetheless. It should also be noted that this isn’t their film; the itinerary is to follow the Perry side of theSchwarzenegger debate, not to get lost in whose line is it anyway.

When the legal team behind Proposition 8, led by attorney Charles Cooper, discusses the case at a press conference, the Proposition 8 sign (thinly taped with scotch tape below the podium) falls to the ground, following a nervous laugh by Cooper. A sign of things to come . . .

The standing issue (“the litigant must seek a remedy for a personal and tangible harm”) in which the proponents were presenting before the United States Supreme Court —that same sex couples “are not similarly situated because opposite-sex couples can procreate”—was determined to be a thin assertion. As Justice Breyer articulates once the case made its way to the United States Supreme Court, sterile couples cannot have children, should this mean they do not have the right to marry? Justice Kennedy turned the tables by stating that marriage between same-sex couples is in favor of children, “over 40,000 children live with same-sex couples.” Antonin Scalia (perhaps the most conservative justice on the Supreme Court) joined in the majority decision led by Chief Justice John Roberts.

It’s difficult to simply review this film without getting into legalities and personal opinion. The filmmakers absolutely have an agenda, Proposition 8 is wrong and unjust (both White and Cotner are gay), but so does marriage—to create sustaining bonds, build a family and to be treated as citizens beyond the right just to travel from place to place, but with a passport verifying who they are, where they have been and where they are going. White and Cotner have created a document for our times which is particularly important considering nobody reads anymore.

Bang bang I shot you down . . . seasons came and changed the time . . . just for me the church bells rang . . . bang bang my baby shot me down.

Movie Rating:

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Film Noise
In basic, non-clinical terms, I like movies and how they shape the way we perceive the world. I saw my first yellow brick road, mental health breakdown and epileptic seizure thanks to the power of film, why not write about it?